Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments.
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Students and scholars of cultural studies, geography, musicology, sociology, and communication, as well as other readers interested in issues of space, politics, and culture.
May serve as a text for advanced undergraduate and graduate-level courses.
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